{"id":1152,"date":"2022-10-29T16:52:21","date_gmt":"2022-10-29T15:52:21","guid":{"rendered":"https:\/\/blog.bham.ac.uk\/19cc\/?p=1152"},"modified":"2022-10-29T16:52:21","modified_gmt":"2022-10-29T15:52:21","slug":"tess-somervell-oxford-sweets-of-poetical-despondence-creating-autumn-in-the-early-nineteenth-century","status":"publish","type":"post","link":"https:\/\/blog.bham.ac.uk\/19cc\/2022\/10\/29\/tess-somervell-oxford-sweets-of-poetical-despondence-creating-autumn-in-the-early-nineteenth-century\/","title":{"rendered":"Tess Somervell (Oxford): &#8216;Sweets of Poetical Despondence&#8217;: Creating Autumn in the Early Nineteenth Century"},"content":{"rendered":"<p style=\"text-align: center\"><strong>&#8216;Sweets of Poetical Despondence&#8217;: Creating Autumn in the Early Nineteenth Century<\/strong><\/p>\n<p style=\"text-align: center\"><b>Dr Tess Somervell<\/b><\/p>\n<p style=\"text-align: center\"><b>Worcester College, Oxford<\/b><\/p>\n<p style=\"text-align: center\"><strong>Wednesday, 9<sup>th<\/sup> November, 5pm-7pm<\/strong><\/p>\n<p style=\"text-align: center\"><b>Arts 103 (Constance Naden Room)<\/b><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/lv\/e\/e2\/Rudens_Dzeguzkalna.jpg\" alt=\"Att\u0113ls:Rudens Dzeguzkalna.jpg \u2014 Vikip\u0113dija\" width=\"412\" height=\"309\" \/><\/p>\n<p>In Jane Austen\u2019s <em>Persuasion <\/em>(1817), the heroine Anne Elliot repeats \u2018to herself some few of the thousand poetical descriptions extant of autumn &#8230; that season which had drawn from every poet, worthy of being read, some attempt at description\u2019. With examples by Wordsworth, Keats, Clare, Emily Bront\u00eb and others, this talk situates the first decades of the nineteenth century in a longer cultural and literary history of autumn. Anne Elliot goes on to see farm labourers \u2018counteracting the sweets of poetical despondence\u2019 through their work: in this period, the tension between the relatively modern aestheticised autumn of poets, a season of leisure and indulgent melancholy, and the older season of labour and harvest, was most visible and was persistently ironised. What can these nineteenth-century reflections upon autumn\u2019s construction by poets tell us about the roles of nature and culture in shaping the seasons as we think we know them today?<\/p>\n<p><a href=\"https:\/\/www.english.ox.ac.uk\/people\/dr-tess-somervell\"><strong>Dr Tess Somervell<\/strong><\/a> is\u00a0a Lecturer in English at Worcester College, University of Oxford. Her research interests include literature of the long eighteenth century and the literary and cultural history of weather and climate change. She is the author of\u00a0<em>Reading Time in the Long Poem: Milton, Thomson and Wordsworth\u00a0<\/em>(Edinburgh University Press, 2023), co-editor of\u00a0<em>Georgic Literature and the Environment: Working Land, Reworking Genre<\/em>\u00a0(Routledge, 2023), and Membership Secretary of the British Association for Romantic Studies.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8216;Sweets of Poetical Despondence&#8217;: Creating Autumn in the Early Nineteenth Century Dr Tess Somervell Worcester College, Oxford Wednesday, 9th November, 5pm-7pm Arts 103 (Constance Naden Room) In Jane Austen\u2019s Persuasion (1817), the heroine Anne Elliot repeats \u2018to herself some few of the thousand poetical descriptions extant of autumn &#8230; that season which had drawn from &hellip; <a href=\"https:\/\/blog.bham.ac.uk\/19cc\/2022\/10\/29\/tess-somervell-oxford-sweets-of-poetical-despondence-creating-autumn-in-the-early-nineteenth-century\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Tess Somervell (Oxford): &#8216;Sweets of Poetical Despondence&#8217;: Creating Autumn in the Early Nineteenth Century&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1900,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1152","post","type-post","status-publish","format-standard","hentry","category-uncategorised"],"_links":{"self":[{"href":"https:\/\/blog.bham.ac.uk\/19cc\/wp-json\/wp\/v2\/posts\/1152","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.bham.ac.uk\/19cc\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.bham.ac.uk\/19cc\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.bham.ac.uk\/19cc\/wp-json\/wp\/v2\/users\/1900"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.bham.ac.uk\/19cc\/wp-json\/wp\/v2\/comments?post=1152"}],"version-history":[{"count":1,"href":"https:\/\/blog.bham.ac.uk\/19cc\/wp-json\/wp\/v2\/posts\/1152\/revisions"}],"predecessor-version":[{"id":1153,"href":"https:\/\/blog.bham.ac.uk\/19cc\/wp-json\/wp\/v2\/posts\/1152\/revisions\/1153"}],"wp:attachment":[{"href":"https:\/\/blog.bham.ac.uk\/19cc\/wp-json\/wp\/v2\/media?parent=1152"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.bham.ac.uk\/19cc\/wp-json\/wp\/v2\/categories?post=1152"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.bham.ac.uk\/19cc\/wp-json\/wp\/v2\/tags?post=1152"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}