0

Decadence and Debauchery: Undressing the Dandy Using the CLiC Web App

Tiffany Olgun is a PhD student at Royal Holloway, University of London, researching the Dickensian dandy. In this post, she explores the language surrounding nineteenth-century English dandyism and the progression of the dandy from his Regency incarnation to his decadent form. The nineteenth-century English dandy is often portrayed as a man of pure surface and … Continue reading “Decadence and Debauchery: Undressing the Dandy Using the CLiC Web App”

20 September 2022 by
0

How can CLiC be used to teach English? Polysemy in Alice’s Adventures in Wonderland

In this post, students of the TESOL (Teaching English to Speakers of Other Languages) MA at the University of Birmingham blog about the CLiC Web App as a language learning resource. This post originated from a task set by Dr Viola Wiegand for ‘Corpus-Assisted Language Learning’, a TESOL module that encourages students to engage with the philosophy of data-driven learning. Many thanks to Weiqing Chu, Luyi Wang, Miaoting Wu and Xinzu Li for their fantastic contribution.

27 July 2022 by
1

‘To Be Read at Dusk’: Ghost Hunting in the CLiC Corpora

Anya Eastman is a second-year Technê PhD student at Royal Holloway, University of London. Anya’s work explores the memorialisation of Charles Dickens, George Eliot and Oscar Wilde, with an emphasis on heritage and material culture. In addition to her doctoral research Anya is the co-director of Royal Holloway’s Centre for Victorian Studies and she has been on placement at the Charles Dickens Museum, working as a research assistant on the upcoming exhibition ‘To be Read at Dusk: Dickens, Ghosts and the Supernatural’. In this post, Anya explores Dickens’s ghosts using the CLiC corpora and discusses her findings alongside plans for the museum’s exhibition.

20 July 2022 by
0

‘By the Sweat of their Brows’ or How Characters (Don’t) Sweat in Nineteenth-Century Fiction

Maya Sfeir is a Lecturer based in Beirut, Lebanon. Her research interests focus on examining and understanding the literary-linguistic interface. In this blog post, she explores how sweat is represented in Victorian fiction by examining two CLiC sub-corpora, 19C and DNov. Her previous contribution to CLiC,‘On Kitchens, Keywords, Key Clusters, and Concordances…’, re-examined eating and … Continue reading “‘By the Sweat of their Brows’ or How Characters (Don’t) Sweat in Nineteenth-Century Fiction”

27 June 2022 by
0

CLiC Quick-Start Guide

Dr Rosalind White takes you through a quick-start guide exploring some of CLiC’s features.  If you would prefer video instructions these instructions are available in a Twitter thread. You can also find further guidance on the help tab of the CLiC Web App. The CLiC Web App (Mahlberg et al. 2020) was designed specifically for the analysis … Continue reading “CLiC Quick-Start Guide”

15 June 2022 by
0

‘The Gumption I Write With’: The Chaotic Journals of (Neo)Victorian Characters

Nat Reeve is a novelist and AHRC-funded PhD candidate at Royal Holloway, University of London. Their debut novel, Nettleblack, is out June 23rd 2022 with Cipher Press, with a sequel forthcoming in 2023. Nat’s PhD project is a queer reading of Elizabeth Siddal’s art and poetry, featuring unruly Books of Hours, tree-person hybrids, sapphic musicians … Continue reading “‘The Gumption I Write With’: The Chaotic Journals of (Neo)Victorian Characters”

13 June 2022 by
1

‘I know no speck so troublesome as self’: Finding Middlemarch through Corpus Linguistics

Dr Rosalind White, (@DrRosalindWhite on Twitter) research associate at the University of Birmingham’s Centre for Corpus Research and on #FindingMiddlemarch at Royal Holloway, University of London, proposes a way into George Eliot’s Middlemarch using corpus linguistics. In this blog post, I’d like to explore how corpus linguistic tools can be used to illuminate the semantic texture of George … Continue reading “‘I know no speck so troublesome as self’: Finding Middlemarch through Corpus Linguistics”

4 April 2022 by
0

“Hello darkness my old friend…”. Enacting silence through punctuation in Heart of Darkness

As suggested by the famous song by Simon and Garfunkel, darkness and silence often go together in our imagination. Conrad’s novel Heart of Darkness seems to be no exception. The to-and-fro movement from linguistic description to literary appreciation and interpretation is what traditional stylistics and  modern computer stylistics have in common, along with the assumption … Continue reading ““Hello darkness my old friend…”. Enacting silence through punctuation in Heart of Darkness”

18 January 2019 by
0

Inspiration for corpus linguistics and stylistics: #dhmasterclass

This post reflects on the Digital Humanities Masterclass 2018 (#DHMasterclass) in which I participated at the German Historical Institute in Paris. [There’s an institute like this in London as well, by the way!] The masterclass was meant to bring together researchers working with digital tools and historical materials (particularly with autobiographical sources) from France and Germany … Continue reading “Inspiration for corpus linguistics and stylistics: #dhmasterclass”

9 November 2018 by