{"id":2175,"date":"2023-10-11T14:49:50","date_gmt":"2023-10-11T13:49:50","guid":{"rendered":"https:\/\/blog.bham.ac.uk\/englitpostgrad\/?p=2175"},"modified":"2023-10-23T15:32:26","modified_gmt":"2023-10-23T14:32:26","slug":"ekphrasis-as-political-encounter","status":"publish","type":"post","link":"https:\/\/blog.bham.ac.uk\/englitpostgrad\/2023\/10\/11\/ekphrasis-as-political-encounter\/","title":{"rendered":"Ekphrasis As Political Encounter"},"content":{"rendered":"\n<p><strong>Wednesday October 18th 2-4pm Lecture Room 7 Arts Building<\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"882\" height=\"662\" src=\"https:\/\/blog.bham.ac.uk\/englitpostgrad\/wp-content\/uploads\/sites\/75\/2023\/10\/SlaveShip.jpg\" alt=\"\" class=\"wp-image-2179\" srcset=\"https:\/\/blog.bham.ac.uk\/englitpostgrad\/wp-content\/uploads\/sites\/75\/2023\/10\/SlaveShip.jpg 882w, https:\/\/blog.bham.ac.uk\/englitpostgrad\/wp-content\/uploads\/sites\/75\/2023\/10\/SlaveShip-300x225.jpg 300w, https:\/\/blog.bham.ac.uk\/englitpostgrad\/wp-content\/uploads\/sites\/75\/2023\/10\/SlaveShip-768x576.jpg 768w\" sizes=\"auto, (max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 1362px) 62vw, 840px\" \/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>The first seminar of <strong>Ekphrastic Encounters<\/strong> &#8211; the newly established interdisciplinary discussion\/research forum on new forms and approaches to ekphrasis &#8211; will be led by <strong>John Fagg, Senior Lecturer in America Literature and Culture,<\/strong> who has written extensively about the interface between word and image. In the seminar, John will introduce ekphrasis in general \u2013 beginning with a very familiar example of ekphrastic poetry \u2013 and then focus on the way that the politics of writers and their moments shape ekphrastic poems. Below is some suggested reading and viewing for the seminar. &nbsp;<\/p>\n\n\n\n<p>Pieter Bruegel the Elder,&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Landscape_with_the_Fall_of_Icarus#\/media\/File:Pieter_Bruegel_de_Oude_-_De_val_van_Icarus.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Landscape with the Fall of Icarus<\/em><\/a>,c. 1560. Oil on canvas, 73.5 cm \u00d7 112 cm, Royal Museums of Fine Arts of Belgium, Brussels&nbsp;<\/p>\n\n\n\n<p>W. H. Auden, \u201c<a href=\"http:\/\/english.emory.edu\/classes\/paintings&amp;poems\/auden.html\" target=\"_blank\" rel=\"noreferrer noopener\">Musee des Beaux Arts<\/a>\u201d (1938)&nbsp;<\/p>\n\n\n\n<p>Alexander Nemerov, \u201c<a href=\"https:\/\/www.jstor.org\/stable\/10.1086\/444515\" target=\"_blank\" rel=\"noreferrer noopener\">The Flight of Form: Auden, Bruegel, and the Turn to Abstraction in the 1940s<\/a>,\u201d&nbsp;<em>Critical Inquiry&nbsp;<\/em>31.4 (Summer 2005), pp. 780-810\u201d&nbsp;<em>Critical Inquiry&nbsp;<\/em>31.4 (Summer 2005), pp. 780-810&nbsp;<\/p>\n\n\n\n<p>Joseph Mallord William Turner,&nbsp;<a href=\"https:\/\/collections.mfa.org\/objects\/31102\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On)<\/em><\/a><em>&nbsp;<\/em>(1840).&nbsp;<\/p>\n\n\n\n<p>David Dabydeen,&nbsp;<a href=\"https:\/\/moodle2.units.it\/pluginfile.php\/396303\/mod_resource\/content\/1\/Dabydeen%20-%20Turner%202.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Turner<\/em><\/a>&nbsp;(1994)&nbsp;<\/p>\n\n\n\n<p>Abigail Ward, \u201cDavid Dabydeen and the Ethics of Narration\u201d in&nbsp;<a href=\"https:\/\/ebookcentral.proquest.com\/lib\/bham\/detail.action?docID=1069718\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Caryl Phillips, David Dabydeen and Fred D&#8217;Aguiar: Representations of Slavery<\/em><\/a><em>&nbsp;<\/em>(2011)&nbsp;<\/p>\n\n\n\n<p>[Content note:&nbsp;&nbsp;J.M.W. Turner\u2019s painting&nbsp;<em>Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On<\/em>) (1840) and David Dabydeen&#8217;s long poem&nbsp;<em>Turner<\/em>&nbsp;(2002) address the violence, including sexual violence, of slavery and in their depiction and discussion of slavery and racism contain traumatic text and images].&nbsp;<\/p>\n\n\n\n<p><strong>If you wish to participate in the seminar on-line then contact Jon Stevens, <\/strong><a href=\"mailto:jxs120@student.bham.ac.uk\"><strong>jxs1209@student.bham.ac.uk<\/strong><\/a><strong> and he will forward a link <\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Wednesday October 18th 2-4pm Lecture Room 7 Arts Building The first seminar of Ekphrastic Encounters &#8211; the newly established interdisciplinary discussion\/research forum on new forms and approaches to ekphrasis &#8211; will be led by John Fagg, Senior Lecturer in America Literature and Culture, who has written extensively about the interface between word and image. In &hellip; <a href=\"https:\/\/blog.bham.ac.uk\/englitpostgrad\/2023\/10\/11\/ekphrasis-as-political-encounter\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Ekphrasis As Political Encounter&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2212,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2175","post","type-post","status-publish","format-standard","hentry","category-english-lit"],"_links":{"self":[{"href":"https:\/\/blog.bham.ac.uk\/englitpostgrad\/wp-json\/wp\/v2\/posts\/2175","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.bham.ac.uk\/englitpostgrad\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.bham.ac.uk\/englitpostgrad\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.bham.ac.uk\/englitpostgrad\/wp-json\/wp\/v2\/users\/2212"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.bham.ac.uk\/englitpostgrad\/wp-json\/wp\/v2\/comments?post=2175"}],"version-history":[{"count":8,"href":"https:\/\/blog.bham.ac.uk\/englitpostgrad\/wp-json\/wp\/v2\/posts\/2175\/revisions"}],"predecessor-version":[{"id":2217,"href":"https:\/\/blog.bham.ac.uk\/englitpostgrad\/wp-json\/wp\/v2\/posts\/2175\/revisions\/2217"}],"wp:attachment":[{"href":"https:\/\/blog.bham.ac.uk\/englitpostgrad\/wp-json\/wp\/v2\/media?parent=2175"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.bham.ac.uk\/englitpostgrad\/wp-json\/wp\/v2\/categories?post=2175"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.bham.ac.uk\/englitpostgrad\/wp-json\/wp\/v2\/tags?post=2175"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}