We are delighted to announce the dates for a series of interactive workshops taking place in May 2022. The workshops introduce web-based digital methods to music researchers interested in studying music’s circulation and reception online. Monday 9th May 2022: Introduction to Mozdeh and SentiStrength with Mike Thelwall This workshop introduces Mozdeh and SentiStrength for analysing … Continue reading “Digital Methods Workshops for Music Researchers”
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On Internet Subcultures & PC Music (Part II): A Reappraisal
Contact Info: I would love to hear from you if you have questions & comments or would like to draw upon & cite material from this post. My email address is e dot c dot k dot spencer at bham dot ac dot uk. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Towards the end of the previous post, I highlighted the way … Continue reading “On Internet Subcultures & PC Music (Part II): A Reappraisal”
On Internet Subcultures & PC Music (Part I): A Review
Contact Info: I would love to hear from you if you have questions & comments or would like to draw upon & cite material from this post. My email address is e dot c dot k dot spencer at bham dot ac dot uk. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Here at Birmingham, we have access to the archives of … Continue reading “On Internet Subcultures & PC Music (Part I): A Review”
Hello World.
Welcome to the blog for Music and the Internet: Towards a Digital Sociology of Music (‘DIGSOCMUS’). The internet and digitalisation have created new social conditions, transforming the relations between knowledge, society and social research (cf. Marres 2017). This project asks what these changes mean for music and for musicological research. We will use this blog … Continue reading “Hello World.”