This week we will be reading the ‘Introduction’ from Rey Chow’s Sentimental Fabulations, contemporary Chinese Films: Attachment in the Age of Global Visibility. In this piece of film criticism, Chow explores the Fifth Generation filmmakers of mainland China within the context of Western cinema. Drawing heavily on both the Taiwanese New Wave and Hong Kong … Continue reading “Rey Chow – Sentimental Fabulations (Nov 19th)”
13 November 2019 by criticaltheory