Finding “A Voice of My Own”: Reflections on Music, Identity and Natalia Kurakina

On July 16 and 17, 2026, I joined scholars from several countries at University College Dublin for the symposium Music, Autobiography, and Constructing the Self. Over two days, the event explored a fascinating question: how do musicians create and communicate a sense of who they are? The programme moved across centuries, genres, and disciplines, showing … Continue reading “Finding “A Voice of My Own”: Reflections on Music, Identity and Natalia Kurakina”

Women composers are finally being rediscovered – so why is the Romantic canon still so hard to change?

This year’s BBC Proms⁠ continues an encouraging trend by featuring numerous living women composers and new commissions. Yet one area remains comparatively unchanged. Within the nineteenth-century Romantic orchestral repertoire, the familiar names still dominate: Beethoven, Brahms, Schumann, Mahler, Berlioz and Scriabin, while composers such as Clara Schumann, Louise Farrenc and Emilie Mayer remain rare in … Continue reading “Women composers are finally being rediscovered – so why is the Romantic canon still so hard to change?”

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