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‘The Gumption I Write With’: The Chaotic Journals of (Neo)Victorian Characters

Nat Reeve is a novelist and AHRC-funded PhD candidate at Royal Holloway, University of London. Their debut novel, Nettleblack, is out June 23rd 2022 with Cipher Press, with a sequel forthcoming in 2023. Nat’s PhD project is a queer reading of Elizabeth Siddal’s art and poetry, featuring unruly Books of Hours, tree-person hybrids, sapphic musicians … Continue reading “‘The Gumption I Write With’: The Chaotic Journals of (Neo)Victorian Characters”

13 June 2022 by
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CLiC Call for Papers: Patterns and Particulars in Nineteenth-Century Prose

We invite 250-word proposals for articles between 800-1,500 words that focus on particular details or overarching patterns within the CLiC corpora. Submissions can be limited to just one author or text or cover a range of nineteenth-century texts. Previous guest posts have covered a wide variety of topics relating to the nineteenth century: from Emma Curry’s … Continue reading “CLiC Call for Papers: Patterns and Particulars in Nineteenth-Century Prose”

12 April 2022 by
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‘I know no speck so troublesome as self’: Finding Middlemarch through Corpus Linguistics

Dr Rosalind White, (@DrRosalindWhite on Twitter) research associate at the University of Birmingham’s Centre for Corpus Research and on #FindingMiddlemarch at Royal Holloway, University of London, proposes a way into George Eliot’s Middlemarch using corpus linguistics. In this blog post, I’d like to explore how corpus linguistic tools can be used to illuminate the semantic texture of George … Continue reading “‘I know no speck so troublesome as self’: Finding Middlemarch through Corpus Linguistics”

4 April 2022 by
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CLiC Blog News

Today we have a big announcement to make. After five years as editor of the CLiC blog, Dr Viola Wiegand is handing over the reins to Dr Rosalind White. So this blog post is to say thank you, Viola, for all your brilliant work over the years. You made a massive contribution to introducing people … Continue reading “CLiC Blog News”

29 March 2022 by
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Using CLiC and the BMI resources: Restrictions of passion and effects of convention in Hard Times

Following her previous post on using CLiC and BMI (Birmingham & Midland Institute) resources with A Level students, Alex Round steps into her role as a researcher of 19th century literature to discuss the themes of passion, convention and education in Dickens’s Hard Times, and reflect on the educational role of the BMI. This post … Continue reading “Using CLiC and the BMI resources: Restrictions of passion and effects of convention in Hard Times”

21 July 2020 by
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Bringing Dickens to the Stage. Part Two: Dickens’ performing career

This is the second post of the mini-series “Bringing Dickens to the Stage”, in which actor Gerald Dickens (@DickensShows on Twitter) recounts his personal connection with the works of his great great grandfather, Charles Dickens. The post is brought to you as part of the BMI Lockdown Life initiative, in collaboration with the Birmingham & Midland Institute. Join the conversation … Continue reading “Bringing Dickens to the Stage. Part Two: Dickens’ performing career”

24 June 2020 by
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Looking through the windows in Stoker’s Dracula

In this post, Marta Palandri (@hardlyanitgirl on Twitter) discusses the symbolism of windows, light and darkness in Bram Stoker’s Dracula. This post is part of the BMI Lockdown Life series, published in collaboration with the Birmingham & Midland Institute blog. Join the conversation at #BMILockDownLife. “They simply seemed to fade into the rays of the … Continue reading “Looking through the windows in Stoker’s Dracula”

20 June 2020 by
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Bringing Dickens to the Stage. Part One: A Christmas Carol

In the anniversary week of Charles Dickens’s death, 150 years ago, we are delighted to present you a personal view of Charles Dickens by his great great grandson Gerald Dickens (@DickensShows on Twitter). This post is brought to you as part of the BMI Lockdown Life initiative, in collaboration with the Birmingham & Midland Institute. … Continue reading “Bringing Dickens to the Stage. Part One: A Christmas Carol”

10 June 2020 by
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A Christmas Carol: A secular or religious text?

In this post, Mary Hind-Portley (@Lit_Liverbird) explains how she teaches Dickens’s Christmas Carol with a focus on its religious elements. The post is based on Mary’s remote CPD presentation and a previous blogpost for @LitdriveUK (https://litdrive.org.uk/). The full set of Mary’s slides shown throughout the post is available here [PDF, 6.1MB]. You can follow Mary … Continue reading “A Christmas Carol: A secular or religious text?”

9 June 2020 by