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‘Nothing but a Mass of Typewriting’: Dracula as Palimpsest

Theadora Jean is a Gothic scholar and writer. Her novella The Westenra House, a 21st century adaptation of Dracula stripped of the supernatural, based on found text and social media, formed part of her critical-creative PhD from Royal Holloway. She writes melancholy, southeast-London Gothic fiction and non-fiction under the name T.S.J. Harling, her print chapbook, … Continue reading “‘Nothing but a Mass of Typewriting’: Dracula as Palimpsest”

26 April 2024 by
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Looking through the windows in Stoker’s Dracula

In this post, Marta Palandri (@hardlyanitgirl on Twitter) discusses the symbolism of windows, light and darkness in Bram Stoker’s Dracula. This post is part of the BMI Lockdown Life series, published in collaboration with the Birmingham & Midland Institute blog. Join the conversation at #BMILockDownLife. “They simply seemed to fade into the rays of the … Continue reading “Looking through the windows in Stoker’s Dracula”

20 June 2020 by
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Conversations in the CLiC corpora: Exploring their potential as models for dialogue in ELT

In this post, Chris Jones (University of Liverpool) shows how the CLiC quotes subsets can be explored to aid English language teaching. He provides a sample activity from his recent open access article in the Journal of Second Language Teaching & Research, co-authored with David Oakey. Nineteenth century fiction may seem an unlikely place to … Continue reading “Conversations in the CLiC corpora: Exploring their potential as models for dialogue in ELT”

6 September 2019 by