The CLiC blog showcases research and impact activities from the AHRC-funded CLiC Dickens project. We write posts summarising our research output, reporting on impact events and explaining new features of the CLiC web app.
#CLiCCreative demonstrates how the CLiC Web App can serve as both a creative resource and an innovative research tool for writers of historical fiction. You can find out more about the overarching project here. In this blog post, we’ve provided a keywords guide to our George Eliot Corpus for aspiring writers of historical fiction who … Continue reading “#CLiCCreative George Eliot Keywords Guide”
Gregory Tate is a Senior Lecturer in Victorian Literature at the University of St Andrews. He is the co-organiser of the AHRC-funded ‘Victorian Literary Languages’ network, and he is writing a book titled The Grammar of Style in Victorian Fiction. In this post, Greg examines George Eliot’s use of, and commentaries on, interjections in her … Continue reading “George Eliot’s Interjections”
Eleonora Gallitelli was awarded a PhD in Comparative Literature at IULM University, Milan, for a thesis on the early Italian translations of works by Dickens, Faulkner and Rushdie, where she combined the methodologies of corpus linguistics and close reading. In this post, she identifies the different meanings that the vocabulary of affection assumes for the … Continue reading “Words of affection in George Eliot’s Middlemarch”
Dr Rosalind White, (@DrRosalindWhite on Twitter) research associate at the University of Birmingham’s Centre for Corpus Research and on #FindingMiddlemarch at Royal Holloway, University of London, proposes a way into George Eliot’s Middlemarch using corpus linguistics. In this blog post, I’d like to explore how corpus linguistic tools can be used to illuminate the semantic texture of George … Continue reading “‘I know no speck so troublesome as self’: Finding Middlemarch through Corpus Linguistics”
