8th May 2020 by

How the BMI gave Charles Dickens a new career

This post by Samina Ansari, Junior Vice President of the Birmingham & Midland Institute (BMI), kicks off our new ‘BMI lockdown life’ series of guest posts. This series is a collaboration with the BMI blog, where the posts are published simultaneously. Samina highlights the historical importance of the BMI as a cultural hub and its close ties with Charles Dickens in the 1850s and 1860s. It is our hope that this series will provide a platform for existing members to engage with the BMI virtually – and that it will welcome new visitors and friends to the BMI community, who will eventually also join the physical events at Margret street when it is safe for the BMI’s Core programme  to resume! The BMI lockdown life series will feature posts related to the teaching, research, and anecdotes of 19th century culture and literature. If you would like to get involved, please contact us at clic@contacts.bham.ac.uk or via Twitter (@CLiC_Fiction).

Guest editors Viola Wiegand and Michaela Mahlberg, University of Birmingham

Charles Dickens didn’t think of Birmingham in the same way as the aunt in Austen’s Emma. He thought that plenty of good could come out of Birmingham. He loved the town, as it was then, he loved the industrious and friendly people, and he wanted to help the people thrive.

In the mid-nineteenth century, a group of local philanthropists, headed by Arthur Ryland, wanted to bring the numerous and disparate places of learning that had sprung up throughout the town and its environs under one roof, and proposed the idea of The Birmingham and Midland Institute. Ryland would become the Institute’s first General Secretary; an Act of Parliament was passed saying that Birmingham Corporation could sell the Institute some land so the building could be built, and Ryland approached Dickens to perform some public readings to raise money for the building and ongoing work. Dickens’ replies to these letters, and his thoughts on Ryland, can be read in his published letters of 1853 and 1854 (see e.g. The Pilgrim Edition – the online version requires subscription; previously unpublished letters are freely available from The Charles Dickens Letters Project). While Dickens had, of course, read his stories to friends and family before, he had never read them publicly, and was a little concerned about how they would be received. But his fears were allayed, and he agreed to doing three public readings in the Town Hall to raise funds for the BMI.

His conditions were stringent. On the 28th December, 1853, he read The Cricket on the Hearth, and the seats were full price. On 29th December, he read The Chimes and the seats were half price, allowing people of more straightened means to attend. On the 30th December he rested his voice, even forgoing a meal out. On 30th December, he insisted that there were no seats at all to make more room, tickets were to be a quarter of the original price, and only working class people were to attend. He saved the best till last and read A Christmas Carol. Contemporaneous accounts say that you could have heard a pin drop, the audience was so enthralled, and the enthusiasm among his listeners was intoxicating. Thus he raised a good deal of money for the Institute.

Bust of Charles Dickens at the Birmingham & Midland Institute
Bust of Charles Dickens at the BMI

His interest in the city remained, and he became the 16th President of the Birmingham and Midland Institute. His letter of acceptance for the post is framed on my office wall.

The BMI was listed as the second most important building in ‘Birmingham Institutions’ in 1901. Sadly, we are not quite at that status any longer. The remit of the Institute is for ‘the dissemination of education to people of all classes in Birmingham and the Midlands’. It was well used and much loved for many years as a place of learning for those who had not had an extensive education before they became workers, but slowly that ebbed as schooling became compulsory. We now have a cultural programme and have been voted the most interesting room hire venue in the city. One of the events we hosted was the CLiC Dickens Day in 2017 that has led to an ongoing collaboration with the CLiC team, and now to this series of blog posts.

We are, of course, in lockdown now, but we are hoping to start a new Core programme as soon as possible, with the teaching of Arts and Crafts taking a more prominent position, as this will move us closer to our original remit.


Junior Vice President of the BMI

Head Librarian of the Original Birmingham Library at the BMI (that’s another story)


Suggested citation: Ansari, S. (2020, May). How the BMI gave Charles Dickens a new career [Blog post]. University of Birmingham: CLiC Fiction Blog. Retrieved from https://blog.bham.ac.uk/clic-dickens/2020/05/08/how-the-bmi-gave-charles-dickens-a-new-career/

Enjoyed this post? The Birmingham & Midland Institute has set up a fundraising campaign to “offset the income which would usually keep the BMI running as the social and cultural hub that it should be, and encourage you to donate to what is an important lifeline for many older people in our society.” Check out their fundraiser here.

Author: Viola Wiegand

I am a research fellow on the AHRC-funded CLiC Dickens project. My research interests focus on the use of corpus linguistic tools to identify meaning in texts.

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